He introduced me to Etnika with whom I played in a couple of shows as the electronic music guy. Owen Jay helped me a lot back then as he was a beacon of knowledge when it came to electronic music, and I always had my ways with managing to engineer weird electronic music. We used to release our music firstly on scaremongering and then on Pinkpube. He used to run a forum called before the advent of Facebook and the likes. I was in a group of friends including Hagen Ebejer (LLimbs), Fabio D’Amato and Owen Jay’s younger brother, Stanley Bezzina. Then, I got into electronic music at the age of 14 by going clubbing with friends and by bluffing my way in pretending to be older. My dad and his friends ran (and still runs) a Maltese festival called “l-Ghanja tal-Poplu” so I was always listening to loads of Maltese sing-song writers, including Walter Micallef’s unreleased tracks. Jim: Close, far, claustrophobic How did you initially get involved in music? Are there any particular memories that stand out to you when it comes to performing in Malta?ĭ: I started making music when I was a child. If you could describe your music in three words, what would they be?Īnna Belle: Ethereal, eclectic, electronic Janelle Borg Uncovering the Maltese electronica artists making waves in London, Brighton and Berlinĭanjeli, Jim Hickey and Anna Belle have a couple of things in common they’re Maltese musicians who found a home away from Malta, and they all have a passion for electronic and experimental music.īy helping them trace back their music origins, we discussed their internal passion for exploring emotions through the medium of music, and how both serendipity and hard-fought opportunities have pushed these three artists to take their music around Europe.
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